Bill Jay memory from ASU

I was going through some old notes today before heading out to Tucson for the opening of The Qualities of Light Exhibition at The Center for Creative Photography when I came across my notes from one of Bill Jay’s History of Photography classes at ASU.

Granted my notes from back then were sloppy (my writing habits changed a year later after the police academy TAC staff taught me that life was less painful when I was able to write legibly in a consistent manner) but I think I still have down the general concept of Bill’s message that day.

He was arguing that good photographers had to understand the history of the medium and what the standards of good photography are to truly be successful. My notes quoted him as follows:

“Young Photographers do not have the knowledge of History. If you don’t know the history, when you are so self absorbed, or if not self indulgent, then there is no relevance to your work other than your own feelings”.

I think this is even a bigger issue today than back then. With the technology advancements in equipment, more people are picking up camera and claiming to be “self taught” art photographers more than ever was imaginable 30 years ago. We live in a world of the two second page view and social media “Likes”. We are inundated with images. Often drawn to the brilliance of of over saturated images created more with pre-set s in a post production computer program than the creative eye of a photographer who has hone his or her craft. I also assume many of the photographers who are popular on social media have also probably never seen a good print in person. I want to be fair< I know not everyone young photographer is like this, but unfortunately many are, and often because they don’t know any better.

Need to keep this short, I just wanted to acknowledge that so much of my development as a photographer has come from viewing and studying the prints of the masters. I don’t know any other way to understand what a beautiful print looks like without seeing examples. I try and learn something every time I see great prints, and use those experiences to remind me of the standard I am striving for. For me it is usually a “sharpening the saw” experience. So, I am excited to be continuing my education tonight in Tucson , time to start driving!

"The Mind and the Hand" by Lee Friedlander


I recently stumbled across Lee Friedlander’s new book “The Mind and the Hand” completely by accident.  I did a search on Amazon looking for new Garry Winogrand material and this book came up.  The book looked interesting so I took a shot and ordered; $90 isn’t cheap but I always enjoy seeing Friedlander’s work.  “The Mind and the Hand” definitely exceeded my expectations

The book is actually six 60 page softbound books in a slip case.  Each book has between 25 and 34 of Friedlander’s photographs and documents a photography icon: William Eggleston, John Szarkowski, Richard Benson, William Christenberry, Walker Evans, and Garry Winogrand.  Each book also has a brief lecture excerpt by the featured photographer which adds the right amount of information to deepen the viewers understanding of the individual.

I was familiar with a few of the photographs but not most.  I would also say most of the images are snapshots.  But these are wonderful snapshots and, in this context, they form a fantastic document of each featured photographer.  These people were Friedlander’s friends and peers and many of the moments he photographed were very personal like Winogrand’s wedding.  I love the images of these photographers out photographing.  As a photographer I am always interested in how other photographers approach the medium and Friedlander’s photographs give a wonderful insight to six icons of photography.

The book was released in April by Eakins Press Foundation and was printed by Meridian Printing in East Greenwich, Rhode Island.  The print quality is beautiful and I really like the intimate size of the book of 8.8” square.  I think Katey Homans did a perfect job with the design and I am assuming that Lee Friedlander’s Archivist, Stephanie Prussin, edited the images.  I am very happy with this purchase and would suggest it to anyone interested in documentary photography.

Featured Photographers

William Eggleston

John Szarkowski

Richard Benson

William Christenberry

Walker Evans

Garry Winogrand

 

Book Details: 

·        Paperback: 240 pages

·        Publisher: Eakins Press Foundation (April 23, 2019)

·        Language: English

·        ISBN-10: 0871300796

·        ISBN-13: 978-0871300799

·        Product Dimensions: 8.8 x 1.2 x 8.8 inches

Printer: Meridian Printing – East Greenwich, Rhode Island

Lee Friedlander Archivist: Stephanie Prussin

Design & Typography: Katey Homans

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